Anne Reijniers (1992, BE)  is filmmaker and curator. She obtained two masters in the audiovisual arts, one with the short fiction film ‘Looking at Marie’ and one with the short documentary ‘Échangeur’. She uses the medium film to create new stories in collaboration.

Anne Reijniers (1992, BE) is filmmaker and curator. She obtained two masters in the audiovisual arts, one with the short fiction film ‘Looking at Marie’ and one with the short documentary ‘Échangeur’. She uses the medium film to create new stories in collaboration.

Rob Jacobs (1989, BE)  studied psychology & visual culture, and works as an independent researcher and artist. He’s interested in the ways that people use the city to question dominant discourses, and combat the legacies of colonialism.

Rob Jacobs (1989, BE) studied psychology & visual culture, and works as an independent researcher and artist. He’s interested in the ways that people use the city to question dominant discourses, and combat the legacies of colonialism.

Nizar Saleh (1987, DRC)  is filmmaker and photographer. After finishing his studies in visual communication at  Académie des Beaux-Arts  in Kinshasa, Nizar made several short docs looking at Kinshasa’s art scene. Together with his colleague cineast Paul Shemisi he founded production house ‘Kimpavita Film’.

Nizar Saleh (1987, DRC) is filmmaker and photographer. After finishing his studies in visual communication at Académie des Beaux-Arts in Kinshasa, Nizar made several short docs looking at Kinshasa’s art scene. Together with his colleague cineast Paul Shemisi he founded production house ‘Kimpavita Film’.

Sandra Heremans (1989, Rwanda)  is an art historian and filmmaker. She flourished in her art perception throughout her studies in Art History & Anthropology. Later, she discovered experimental film and this was a pivotal turning point. She had finally found a way to express herself as an artist. ‘La Mazda Jaune et Sa Sainteté’ is her first film.

Sandra Heremans (1989, Rwanda) is an art historian and filmmaker. She flourished in her art perception throughout her studies in Art History & Anthropology. Later, she discovered experimental film and this was a pivotal turning point. She had finally found a way to express herself as an artist. ‘La Mazda Jaune et Sa Sainteté’ is her first film.

Paul Shemisi (1986, DRC)  started by working as camera-assistent for foreign film crews. After having gained experience he studied cinema at  Les Ateliers Action , a film program organized by  INSAS.  He has worked on various films as co-director, scenarist, producer and cameraman, including Renaud Barret’s Système K.

Paul Shemisi (1986, DRC) started by working as camera-assistent for foreign film crews. After having gained experience he studied cinema at Les Ateliers Action, a film program organized by INSAS. He has worked on various films as co-director, scenarist, producer and cameraman, including Renaud Barret’s Système K.

Milka Mbunga (1988, DRC)  is a multidisciplinary artist. She discovered the art of performance during a visit to her native city Kinshasa, which influenced her greatly. In Brussels she is mostly known as DJ .

Milka Mbunga (1988, DRC) is a multidisciplinary artist. She discovered the art of performance during a visit to her native city Kinshasa, which influenced her greatly. In Brussels she is mostly known as DJ .

COLLECTIF FAIRE-PART is an ensemble of Belgian & Congolese filmmakers, that wants to tell new stories about Kinshasa, about Brussels, and connections between the two. 

They make films, take pictures, draw comics and organise events in which dominant discourses are questioned and possible futures take shape. They work in close collaboration with DE IMAGERIE.